A frontier I would of known nothing about if it wasn’t for Picard and his gang in the nineties. I was born in 1989, way after Shatner’s adventures but because of this new series, I discovered Star Trek in all its glory. As I entered my twentieth year, David Tennant did exactly the same for me and opened my eyes for Shakespeare.
There are many deserving plays that need to have the dust blown off them and brought alive again but the reason for the ‘repeat’ culture in the theatre is the repeat culture of our televisions. This is clearly seen in the way stage is copying television with repeats of Fawlty Towers and Allo’ Allo’ suddenly appearing across the listings of the Radio Times and Amateur Stage. Many small amdram groups cannot draw anyone to see a hidden gem – and theatres with a following surely find that their seats sell faster for the tale of Ophelia and her sweet Hamlet.
Children and teenagers do need to be taught the meaning and cause but they also need to be drawn into the theatre by its magic.
Perhaps until we have weaned our children and teenagers from the goggle-box to our local theatres and then to our West End, we cannot financially afford to display these gems due to the empty ticket hall and the lack of people to understand and adore it.
My summary; every King Lear, John Procter and Pozzo has fantastic tale to tell – which should be told over and over again – because there will be the next generation to hear it and to be awoken to this magical intelligent world that we all take for granted.
Article orginally written by Matt Streuli
for Amateur Stage Magazine, 2010IMAGES WITH THANKS TO ROYAL SHAKESPEARE COMPANY, BBC, CBS and PARAMOUNT.
Written by m